We need to stop the exodus of Grove artists
Public art and artists has been welcomed there and I think we could use a lot of that in the Grove. As of late, art has gone down the drain in our little village. Funding has been cut for art projects and while so many businesses and visitors would love to see artists out on the streets, actually working on art, I was told by some artists that Coconut Grove does not have that because the merchants do not want that. Someone in power actually told this to a few of the artists -- that they are not wanted by merchants in the Grove.
I find that hard to believe, as I am approached all the time by many merchants, most restaurants, who would love to see en plein air artists out and about painting in front of their businesses. I don't mean in contests, like AnnaMaria used to hold, I mean every day! I always bring up the subject of Eileen Seitz painting the info booths. That brought people together as so many stopped by to visit and watch the art being done. I wrote about art on the streets at that time, too.
There is talk of a chalk painting contest as part of the Mad Hatter Festival this year, something larger than last year, but that's all well and good, but we need art and artists on the streets now. How about starting by painting a nice mural on the ugly defaced Playhouse? Look how great the post office looks with the tile mural. The Playhouse looks like it's going to be sitting there in that rotten state for awhile, might as well make it look pretty.
So many Grove artists have left, even Grove House is gone south somewhere. It's called the Grove House Artists, but they aren't even in the Grove anymore! Many of the Grove artists now show in some sort of Bird Road Artwalk, and they are in Wynwood and other areas. They should be here. They should be working here and be encouraged to work here. I think the tourists who hop on and off the big red buses would love to see an actual artists working as they strolled the village.
Since the peacocks flew the coup, it's been sort of blah around here. That was a great exhibit for a couple of years, we had people watching the birds be painted and installed and there were parties and such. It added a lot of life to the area.
Something needs to be done. And fast. When the trees are all cut down, we're gonna need something to draw visitors. The un-shady streets are not going to do it.
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7 Comments:
back in the mid-eighties I used to set up an easel on Grand Avenue - where Lulu's is now, and paint.
(I was for a long time a Southern regionalist landscape/wildlife artist.)
I always had a great time, and would do it again if it wouldn't turn out to be a big hassle.
al crespo
Sarnoff thinks that art in the street is 'so declasse'.
You wouldn't vote him out, now live with it.
Why would artists be attracted to the Grove anymore? Back in the 60's, 70's and even early eighties, the Grove was an actual community. The businesses and various shops were there to serve that community. The streets were lined with trees full of birds and there were no buildings allowed over three stories tall because it was iirc a bird sanctuary.
The lifestyle was oriented towards the sailing and free anchorage community and you could sit anywhere along the waterfront with a picnic, a guitar, a six pack, an easel with paint, and focus on the beauty of the Grove and Biscayne Bay.
My dad came down here and wrote a song called Everybody's Talking' and it was put in a movie that people from around the world saw and combined with the movie made those people want to see what was so special about this Village by the Bay.
The artists were drawn here because of what it was and what it offered (imho) to their souls and their creative nature.
What is there to draw the artist these days?
Will some future Stephen Stills be awed by the beauty of the Sonesta? Will the next Scornavacca or Shel Silverstein be inspired to write or draw or paint by our beautiful (NON)tree-lined streets?
For years the people who have been running the Grove have been saying that if we don't like what the Grove has become, leave. Well, we left. 95% of the people that I know, my entire family, folks that I grew up with in the Grove, all have moved.
Now the business owners stand there with a confused look on their faces wondering why business is dying.
I myself moved to South Miami about seven years ago and I must say it's waaaay more artist/musician friendly than the Grove.
Christopher Neil
"That Guy said...
Sarnoff thinks that art in the street is 'so declasse'."
When did he say this?
"our beautiful (NON)tree-lined streets?"
"I myself moved to South Miami about seven years ago and I must say it's waaaay more artist/musician friendly than the Grove."
Not that I'm counting, but the Grove has much more trees than South Miami. And talk about being commercialized! Not sure what the complaint is here. Property values (and rents) sky rocketed in the '80s, and then the condos were built, so if you're complaining about the "death of the 70's era Grove," that happened 25 years ago.
I was in South Miami last friday for happy hour, wanting to do something different. Had good food, cheap drinks, and a real good time. The streets and businesses were teaming with people, spending money and mingling and smiling.
When was the last time you saw that in coconut grove at 6pm on a Friday? You can count the number of patrons to any business in the grove during "happy hour" on your fingers - every day - fact.
I think Christopher Neil had a valid point, Anon 4:03.
If the grove wants to create a artist environment they need to help artist want to come back, there are many places in the grove that are empty store fronts and i feel that it would better to use those spaces as small studios for several artist and create an environment for people to come back into the grove for gallery night because of the increase of artist in the area. Many of these areas have been empty and the area on florida ave and mary street would be a great place to start with these empty space.
i understand these are lofty ideas since all these former clubs and cafes have owners but i believe that the grove is hurt more by empty stores and dead zones than store front occupied by the artwork of the artist in these former stores.
There are many artist who can not afford renting a gallery for a show or for their own proper studio, using empty stores would be a way to assist in studio space and bringing back the artist into the grove.
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