The whole Playhouse structure should be saved
In the 71-page transcript of that meeting there is this testimony from Ellen Uguccioni of Janus Research who prepared the designation report: “I was also a bit chagrined at myself because at the end of the report I made the statement only the south and east facades are distinctive, which has led, I think to people assuming that I am saying that only the east and south facades are important and, therefore, we don’t need to worry about the building envelope itself. I want to make clear that my intent—why I wrote that again, I’m not sure—but my intent was certainly to include the entire building in the historic designation report. When we designate historic buildings, we don’t just do the envelope or what’s seen from the front. It doesn’t receive its significance from just being two walls. It’s a—an entire history of what happens inside the building.” (p.5)
Ms. Uguccioni testified as follows about the interior of the Playhouse: “I should also point out that the designation report does not address the interior as having historic significance. That interior had been changed by another very prominent architect who belongs to the modernist movement, Alfred Browning Parker. So our recommendation for this—and I have spoken to Ms. Kauffman (Preservation Officer) about it—should be that the building footprint is what we are recommending to you for designation.” (pp. 5-6)
The Board also heard testimony regarding whether the legal description for the Playhouse could be amended to delete the surrounding large parking lot included in the Playhouse’s tax folio. Ms. Uguccioni stated that that lot could not be justified as being historic. (p. 42). However, the City attorney then told the Board: “An observation pursuant to this application is that unless you have a separate divisible parcel, the consideration for the board today is the parcel as presented to you.” (p. 44) The Board heeded the City Attorney’s advice: “We have to protect the integrity of historic landmarks. Even non-contributing structures that are around it, so I agree that we need to designate the whole structure and the parcel of land.” (Barber at p.69)
My final words accompanying my vote as Chair: “My clear intent is to vote for the complete designation of the structure itself, of all sides of the structure. I know that there is gonna be something done with the parking lot, and I’m just hoping that all the parties involved, all the Grove—Grovites will work with the Playhouse to get the best possible result on this incredibly important property.” (Parrish at p. 70)
Sincerely,
Anthony R. Parrish, Jr.
Coconut Grove
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5 Comments:
Pure balderdash, poppycock. This Letter to the Editor subjectively infers "... Because the structure exemplifies the historic structural, pollical, economic & social trends of the community", as being something worth while or of value. A similar comparison could be the burning bush, the parting of the Red Sea & the bible. The Coconut Grove Play House has been a financial failure as a place of entertainment because THE PEOPLE never purchased enough tickets to keep it afloat. Nostalgic comes to mind. The old Grove concept, keep the old no matter what. I suggest the construction of a monster titled The Coconut Grove Local Artist Gallery where only artist residing in the Grove can display their works of art. Say 200 rooms, lots of windows & light, leading to 200 homes purchased & preserved by artist/bohemian types throughout the Grove community, everyone seems to like & enjoy an artist. tourist parking for a fee. A couple eateries. Coconut Grove, a breeding ground for artist; kids, blacks, white's, Latino's & Asian's. Jobie Steppe
I appreciate all the good people,like Andy Parrish, who have stood up to say "Preserve our playhouse". I also understand those who say "The old playhouse was not successful. We need to replace it with something else".
What I don't understand is how the City of Miami, the State, and everyone else who has skin in the game were not able to come together, make a decision, and to DO SOMETHING ten years ago.
At his point it is pointless to continue the arguing. Tens of thousands of traded words while the hulking,gray elephant rots, a seemingly endless eyesore in downtown Coconut Grove.
I would like for it to be torn down today and replaced with an appropriate historical marker surrounded by a beautiful park.
Then,at least, we could have, "Shakespeare in the Park".
Wise intelligent people/nations recently came together & formed the United Nations and a European Federation and both splinter here & there as the United States stands strong. The Playhouse is not an issue with the City of Miami or the State and obviously not a venue where ordinary folk invest in tickets. We have some extremely people friendly parks. What an image "Shakespeare in the Park". Wasn't long ago they had Shakespeare @ Shell Lumber. AND THE BEAT GO ON!
For all the people who say "it failed in the past and will fail again unless it is torn down" dismiss the significance of the Playhouse. I also say that you have zero ideas why it failed in the past and your speculation is nothing more than a guess. I have not heard or seen a single person give a reason why it failed beside "they didn't sell enough tickets." Perhaps they did sell enough tickets and the person or people in charge of the finances were not doing their jobs well enough. I have managed many successful restaurants and a few not so successful and I can tell you exactly why each was successful and why each of the few failed. There is no guesswork in success, ask Sylvano, he'll tell you the same thing. So if you're just guessing, admit it because once the Playhouse is torn down, it is gone forever.
Sorry friend, not guessing. It opened January 3, 1927, as part of the Paramount theater chain called "Coconut Grove Theater". Went bankrupted mid-1930s & shuttered until 1955 resulting in a contract to Alfred Browning Parker for $200,000 to renovate. History indicates any building Mr. Parker constructs usually decays rapidly, nice looking but decays/rot. Opened January 3, 1956 with the U.S. premiere of Samuel Beckett's "Waiting for Godot". That played bombed and all but 48 people walked out from an audience of 1200 and the next day the parking lot was filled with people demanding their money back. It closed in 1960 with disappointing financial success & reopened in 1966 by producer Zev Buttman. It failed again due to no audience/ticket sales, sold in 1970 to actor Eddie Bracken & associates who failed to pay it's debts, closed again & again due to unpaid debts, etc., etc., & etc. It reopened again in 2006, in debt $4-M, did one play "Sonia Flew" ran for 10 days & shutter again. Respectfully, The PEOPLE in the area obviously do not support this kind of entertainment. It's rotten wood and it's expensive to maintain or renovate. Sincerely, start a crowd funding and see where it goes. No guessing here, Jobie Steppe
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